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Showing posts with label six-figure freelancing. Show all posts
Showing posts with label six-figure freelancing. Show all posts

Saturday, April 16, 2016

Six-Figure Freelancing: Upcoming Events (Chicago and New York)

Is making more money--even six figures--your goal as a freelancer? If you're in the Chicago area, come see me present on Six-Figure Freelancing at Off-Campus Writers' Workshop in Winnetka on Thursday, April 21 at 9:00 a.m. OCWW is a great organization for writers of all stripes, and I'll be happy to answer any questions you have about successful freelancing. Let me know if you're planning on coming!

I'll also be moderating a panel on Six-Figure Freelancing at this year's ASJA's annual writers conference in New York on May 20 and May 21. (I've posted about the annual conference before: if you're serious about your work as a writer, it's well worth the expense.) making money as a writer You'll hear from three uber-successful freelancers: Damon Brown; Wendy Helfenbaum; and Jodi Helmer. Each has a very different career path but all have  reached a level of success that many writers only dream of. 

Some of the strategies I'll cover on Thursday include: 
  • Specializing. Early in my career I took on any assignment, on any topic, that was offered to me. That helped me gain a lot of experience but meant that I spent a lot of time getting up to speed on topics as varied an animal dissection alternatives to community leadership schools to charity car shows to religious-based weight loss programs. Today I specialize in health, wellness, nutrition/diet, and fitness subjects (with a bit of psychology and self-help tossed in). It may limit my work opportunities a bit but makes me far more efficient in the long run.  
  • Developing regular clients. I have moved from doing mostly articles for print magazines to a mix of ghostwriting (mostly books and book proposals), content marketing, and blogging. I'm always looking for regular clients, however--those who will hire me more than once (and hopefully many times!) Even some of my ghostwriting clients have hired me to write more than one book for them, and that means I spend less time marketing myself. 
  • Working efficiently. Specializing and developing "regulars" is one way to to do this. Another is to use my time wisely. I use my mornings to write and save less challenging tasks (like doing interviews, sending queries, and doing background research) for the afternoons, when I'm not as focused. Sounds simple, but you'll get more done when you take advantage of your natural energy ebbs and flows. 
  • Building relationships. I do a lot of interviews even today, and always take the time to send personal thank-you notes to those I speak to. I also refer work I don't take on to other freelancers, and attend conferences like ASJA to meet not only agents, editors, and potential clients but other freelancers as well. Being connected means more than having a social media presence; it means having IRL (in real life) connections as well. 
Let me know if I can hope to see you this coming Thursday, April 21, in Winnetka, or on Saturday, May 21, at ASJA in New York! 


Monday, February 29, 2016

Secrets of Six-Figure Freelancers: 5 Essential Attributes

Today we're going to talk about one of my favorite subjects: money. My first year of fulltime freelancing more than 19 years ago!),  I made just over $17,000 and netted less than $12,000. My goal—my dream, really—was to be able to make $30,000 to $40,000 a year writing from home. By my sixth year of freelancing, though, I’d far surpassed my expectations and cracked the six-figure mark. Today I work part-time hours (my kids are now 10 and 6, and the latter is only in half-day kindergarten) and make between $30,000 and $60,000/year doing so. It’s challenging, but doable. 
So how do it I do it? I’m not a “best-selling” author, nor am I commanding enormous book advances. But I have mastered some necessary skills that other freelancers overlook. I can tell you freelancers who make big bucks (and I know lots of them!) have many things in common. As a whole, they’re confident, efficient, focused, friendly, and adaptable.
Sure, they’re good writers—in fact, most of them are great writers. But they’re even better at running their writing businesses, working more efficiently, and developing relationships with clients, sources, and fellow writers. You can be, too—whether you’re aiming to make six figures or simply get paid more for your writing, when you embrace these five strategies: 
Think Positive   
Let’s start with your mindset. A tagline for a poplar antiperspirant used to be “never let them see you sweat.” Successful writers take this motto to heart. Sure, they doubt their abilities sometimes. All writers do. But they don’t share those feelings with their clients—or let self-doubt prevent them from working.
A positive attitude can give you a leg up on other writers. Focus on what you can do—sending out queries, calling new potential clients, scouting for regular gigs—rather than on what you can’t control. No, confidence in your abilities won’t force an editor to give you an assignment or turn a $4,000 advance into a $40,000 one. But you can choose to be positive as you pursue your career. Setbacks are normal. It’s how writers cope with them that makes a difference.
Use Time-Saving Strategies
In addition to working on assignments, you must devote time for marketing, billing, and record-keeping tasks that can easily eat up hours better spent producing income. That’s why developing and maintaining a selection of writing templates, or forms, on your hard drive can be invaluable. 
For example, I have templates for different types of LOIs (letters of introduction); proposals/bids; invoices; contracts; follow-up letters; and even thank-you notes. This saves me time because I'm not recreating the wheel each time. I’m also a big believer in reusing research and writing about the same subjects more than once. The more ways you can approach a topic and write about it for different clients, the easier it is to make more money with less effort.
         Look for Repeat Business
Remember, it’s easier to get work from clients you already have than to get new clients. While the majority of my income these days comes from books, not articles, nearly all of my magazine work comes from editors who I’ve known for years. That means my marketing time is slashed. 
Example: a couple of of years ago, I pitched an editor with four ideas in one short, four-paragraph query. She bought them all. She knows me and knows my work, and that means it’s easy (and fast) to sell to her. Less time marketing=more time writing=more money. That’s the benefit of working as much as possible for clients you have—and maintaining positive relationships with them as well.
Climb Outside your Pigeonhole
I write primarily service-oriented books and articles about health, fitness, diet, wellness, and psychology. But that doesn't mean I have to. When a former client asked me if could write a television treatment for a new show she was developing, did I say, "What the hell is a treatment?" Nope. (Although I did wonder." I read a couple of books on treatment-writing, gathered background information, and wrote a script and treatment she was thrilled with. Now I've added another skill to my CV. 
Don’t let clients pigeonhole you. If you write articles for print and online markets, you can produce content marketing as well. Your background in a particular subject can also lead to lucrative corporate gigs if you look for those kinds of opportunities. While I believe in specializing, I also believe in keeping fluid—and that’s where my last point comes in.
Adapt to the (Ever-Changing) Market
The publishing world of today is much different than that of the one I entered 19+ years ago. Hell, it's different than what it was two years ago. Magazines are folding. Publishers expect you to give up more rights for the same (or less!) money. Fewer magazines are using contributing editors. But, there are many more opportunities (think content marketing, social media writing and management, ghosting Tweets) for freelancers that didn't even exist a decade before. That means as a self-employed writer, you have to adapt, to improvise, to overcome. (Thank you, Clint Eastwood/Heartbreak Ridge, for the quote.)
Hey, I don't like change. I'd still rather use Word than Google docs, though everyone else seems to prefer the latter. I still suck at Twitter although I have loads of Facebook friends. I'm nostalgic for the days when three contributing editor gigs made up $70K worth of work for me--every year. But that was then, and to survive--and thrive--in this business, I have to be willing to adapt, and change, and yes, overcome. Embrace the same attitude and you'll set yourself up for success. 
**Do you agree with the attributes I listed in this post? Why or why not? Let me know with a comment. 
If you want are serious about making money as a writer, I suggest my freelance classic, Six-Figure Freelancing: The Writer's Guide to Making More Money, Second EditionIf you're more interested in getting into ghostwriting and content marketing, I suggest Goodbye Byline, Hello Big Bucks: Make Money Ghostwriting Books, Articles, Blogs and More, Second EditionIf you're brand-new to freelancing, Dollars and Deadlines: Make Money Writing Articles for Print and Online Markets walks you through the process of launching your freelance career

Tuesday, February 23, 2016

Dollars and Deadlines is Back! And is Ghostwriting for You?

Hello, readers, and welcome back...after more than a year on hiatus, I've decided to reboot the blog for several reasons. First and foremost, while the majority of my work these days is ghostwriting books for a variety of clients (with some content marketing, articles, and public speaking thrown in), I have several popular books on freelancing that continue to sell well. All are earning royalties! And that's great--so why not jump back into blogging and continue to rev those book sales? 

Just as important, this blog has been one way of giving back to the freelance community. If you're read my blog in the past, you know I opt for transparency. (Hence my honesty about my first reason for rebooting the blog.) I talk about money, share actual freelance rates for different types of work, discuss how to address freelancing issues (like getting paid!), and am always happy to answer readers' questions. I love helping other freelancers--both new and experienced--reach new levels of success in their careers. It just feels good! 

So please comment with any topics you'd like to see me cover, or questions you have, and I'll be happy to help! 

In the meantime, today's post is about how to determine whether ghostwriting is a good fit for you. You may be a stellar writer, but not every freelancer is cut out to ghostwrite. To succeed as a ghostwriter (or even a coauthor), you must have:

• The ability to set your ego aside. I confess that the first time I learned about ghostwriting (at a panel at the awesome ASJA conference), I thought, "I don't want to write someone else's book! I only want to write my own!" If you're addicted to seeing your byline, ghosting may not be for you.  It's all what your client wants, not what you want. If you can’t set your own ego aside, your career will be short-lived.

• Organizational skills. Forget the idea of scatterbrained writer. Writing a book requires focus and organization. It's even more important when you're writing someone else's. You're expected to stay on top of your own research, organize information you receive from your client, track various drafts (in progress or approved), and manage a schedule that may be ever-changing depending on your client’s needs. If your desk typically looks like a bomb went off, ghosting may not be a good fit for you.

• Creativity. Ghostwriting isn’t as simple as filling in an outline or connecting the dots. If you’re writing a memoir, a novel, or “creative nonfiction,” you’ll need a narrative arc and an overall theme or message for the book. Even a relatively straightforward how-to manuscript requires an ability to organize material, structure the overall manuscript (unless your client has determined this already), and to identify and maintain your client’s voice—in addition to writing 50,000 to 75,000 words or more. And that takes creative skills.

• Stress management skills. If you work for what I call a “PIA” client (think Pain In the A…) occasionally, your contact with the person is limited. But when you ghost or collaborate, you’re stuck with that person for months. Some clients will decide on a plan of action, then follow it to the letter. (I love those people!) Others will second-guess their decisions, change the scope of the book as you’re nearly completion, or need continual handholding. And that takes patience, deep breathing, goblets of sauvignon blanc, you name it.

• Knowledge of the publishing industry. Have you published your own books? Written and sold book proposals? Worked with an agent? Do you know the difference between traditional publishing, self-publishing, and print-on-demand ("POD"), and what the advantages and drawbacks are? The more experience you have with books, the more valuable you are to a client, and the more potential you have as a ghostwriter.


**Have questions about ghosting? Comment below and I'll be sure to answer them! And thanks for reading. 

New to freelancing and have questions? If you want the "big picture" about freelancing and are serious about making your freelance writing business a money-maker, I suggest my freelance classic, Six-Figure Freelancing: The Writer's Guide to Making More Money, Second Edition

**If you're more interested in getting into ghostwriting and content marketing, I suggest Goodbye Byline, Hello Big Bucks: Make Money Ghostwriting Books, Articles, Blogs and More, Second Edition

**If you're brand-new to freelancing, Dollars and Deadlines: Make Money Writing Articles for Print and Online Markets walks you through the process of launching your freelance career

**Finally, if you like your books full of shorter pieces, check out a different format--Writer for Hire: 101 Secrets to Freelance Success is divided into five broad sections to help you make more money regardless of what kind of nonfiction writing you do. 



Tuesday, December 23, 2014

Search the Blog for Freelance Answers

It's time. 

More than 4 years and 500+ posts (and more than 200,000 page views) later, Dollars and Deadlines is going to be on indefinite hiatus. But I'm glad you stopped by! I suggest you search the blog for advice about querying, marketing, ghostwriting, interviewing, content marketing  working efficiently, you name it. You'll find much more advice in one of my many print and ebooks on freelancing:  

**If you want the "big picture" about freelancing and are serious about making your freelance writing business a money-maker, I suggest my freelance classic, Six-Figure Freelancing: The Writer's Guide to Making More Money, Second Edition

**If you're more interested in getting into ghostwriting and content marketing, I suggest Goodbye Byline, Hello Big Bucks: Make Money Ghostwriting Books, Articles, Blogs and More, Second Edition

**If you're brand-new to freelancing, Dollars and Deadlines: Make Money Writing Articles for Print and Online Markets walks you through the process of launching your freelance career

**Finally, if you like your books full of shorter pieces, check out a different format--Writer for Hire: 101 Secrets to Freelance Success is divided into five broad sections to help you make more money regardless of what kind of nonfiction writing you do. 

And if you can't find the answer in one of those hundreds of posts, or in one of my books, shoot me a brief email at kelly at becomebodywise dot com, and I'll be happy to help. 

Thanks for being a reader, and I wish you all freelance success! 




Monday, November 3, 2014

The Essential Element Every LOI Needs

I've posted before about the importance of an effective letter of introduction, or LOI. It's an essential weapon in your freelance arsenal, and can be just as effective, if not more so, than a query letter

However.

There is no one-size-fits-all LOI. And even if you have a template for an LOI, you should never send the same LOI to two different markets. You must customize your LOI the same way you would customize a query letter--and that means including the most essential element in your LOI.

That element is this: why you are contacting the potential market. 

I know, I know. You want money. You want work. You want clients. That's the reason you sent your LOI. Duh! 

But that's not enough for your target market. You must have a reason that works for him or her--and that reason will make the difference between an LOI that gets deleted or ignored, and one that prompts a response. 

Here's an example from one of my LOIs: "I'm contacting you because I know you produce nutrition-related content for a variety of clients, and I've written about diet and nutrition for a variety of consumer and custom publications." 

The "why" can make all the difference to your potential client...and to your future with this client. 

**Want to see more examples of LOIs that worked? Check out the ones included in Six-Figure Freelancing: The Writer's Guide to Making More Money, Second Edition and Goodbye Byline, Hello Big Bucks: Make Money Ghostwriting Books, Articles, Blogs, and More, Second Edition

Monday, October 6, 2014

Getting to Six Figures: A Class for Both New and Experienced Writers

Earlier this year, I posted about Debra Gordon's new class, The Business of Freelancing: Getting to Six Figures. I've known Debra for years and she's a smart, very successful freelancer who's now branching out into offering classes. She's offering the class again (it starts later this month), so I'm reprinting our Q and A from earlier this year: 

Q: As you know, I’ve written a book on the topic of this class, Six-Figure Freelancing, and I think the title captures readers’ attention. Why did you decide to name your class what you did? 

A: I've served on two panels with this name in the past 14 years and participated in numerous discussions on listserves. I think the phrase just resonates with small business people (as you know, since you used it for your book!). I also think that the idea of earning more than 100,000 a year on your own represents one of those goals that many of us have.

Q: I completely agree with that. So, why did you decide to offer the class? 

A: I've been speaking about the business aspects of freelancing at the American Medical Writer's Association (www.amwa.org) and American Society of Journalists and Authors (www.asja.org) for years now. Every time people come up to me and tell me how much they learned -- even those who have been in business for years--and often come up to me years after my talks to tell me how it helped them improve their business. 

I finally decided I had enough knowledge and content to pull it all together and reach a broader audience.

Q: Tell me a little bit about your freelance background. 

A: I have been freelancing for 14 years now, with 100 percent of my clients in the healthcare and medical fields. I write for a variety of audiences, including consumers/patients, physicians and other clinicians, and business-to-business. I have an English degree from the University of Virginia and a master's degree in biomedical writing from the University of the Sciences in Philadelphia. My specialties include most therapeutic areas, as well as writing, speaking, and training on healthcare reform and the healthcare system.

Q: Debra, what common misconceptions do you think freelancers have about being able to make a good living, including six figures (and more)? 

A: Relying on one or two clients; not treating the business like a business (ie, not saving money from every check for taxes and retirement); not taking marketing seriously; not being creative enough with their marketing; not planning ahead; getting caught in a rut and not continuing to grow themselves (and their businesses).

Seriously, though,  I think of this course as providing them with a good solid foundation upon which they can build their business -- as high as they want.

Q: So, what type of writer is the class aimed at? 

A: It's aimed at anyone who has their own small business, not just writers. I think graphic artists, web page designers, IT professionals, even Realtors could benefit from this course. Of course, I expect the majority will be writers. So . .any kind of writer, regardless of your experience and specialty. One caveat: I'm not going to talk about writing—but about how to build and run a writing business (if that's your business). 

Q: Anything else writers should consider before signing up for the class?

A: I will assign "homework," such as writing a business plan . .. but there's no grade! Also, I'll be setting up a private Linked In group for participants so we can continue the discussion . . .They can also get a discount off one-on-one coaching with me. The webinars will be recorded and available on demand as well as live.

**If you're serous about your freelance career, I highly suggest you consider this class as a worthwhile investment. It's one more way to help you take your career from so-so to stellar. And you get a free copy of Six-Figure Freelancing when you sign up! 

Sunday, September 14, 2014

No Consideration=No Contract (Talking Money Upfront)

I was intrigued by this post on Contently about a fellow freelancer's new ebook about making a six-figure living as a freelancer. As an author with a book with a similar name, (though it sounds like mine is quite a bit longer), I was intrigued by the concept. I agree that much of freelancing success can be summed up with succinct tips. One of hers is to "think of writing like a business," and this is critical for freelancers, especially new ones.

Case in point--I just heard from a potential client this morning (we've been in touch via email already). She offered me an assignment of several blog posts. That's great! She told me the topics she wants me to cover, and gave me a deadline of Friday. I asked her about word count, and she told me what she needs. Great. There's only one problem--we haven't talked money yet (though she did ask me to quote her a fee.)

But without agreeing on my fee, we don't have a contract yet. (Legally, because no "consideration" or value, has been identified for the blog posts, no contract exists. Thank you, law school.) 

And I won't work without a contract. That's because I always think of writing like a business. I emailed her back promptly with my bid, and asked her to let me know ASAP if that rate will work. If she says "yes," I have a contract (which I'll confirm in an email to her) and I'll get to work. If not--well, then I don't have a contract, so I don't have an assignment. 

Sounds obvious, right? But I know writers who have been burned doing work for clients before they've hammered out their fees and that never ends well. You need a contract--even it it's an email contract--before you start work.   

***Yeah, I have my own book with 101 tips to freelancing success--Writer for Hire: 101 Secrets to Freelance Success.It still hasn't earned out yet (more about that later) but it's sold more than 4600 copies since it was published in 2012, which is good news. 

Monday, August 4, 2014

How to Write a More Effective LOI (Or, Why to Forget the Kitchen Sink)

Hi, readers--I'm back! I enjoyed my monthlong blogging hiatus but I'm back and you can count on a new post every Monday like usual. I've posted before about the importance of a strong LOI (letter of introduction); it's very likely the most effective weapon in your freelance arsenal. 

However, some writers tend to "kitchen-sink" the LOI and overwhelm the potential editor or client by listing all of their accomplishments, credits, experience, background, you name it. I suggest a narrower approach, focusing on one specific area that is most likely to appeal to the client instead. Here's an example: this is a actual LOI I sent out earlier this year that led to work. (My comments are in blue in brackets.) 

Dear Dan:

First off, it was a real pleasure meeting you at ASJA this year. I’m writing to remind you of my strengths (or at least some of them), which I hope you’ll keep in mind for assignments. [Typical opener if I've met the person already; always use your "in" early in your LOI.]

As I mentioned when we met, I’m a long-time freelancer who’s written for custom publishers including The Magazine Group and McMurry as well as 50+ national magazines including Self, Health, Family Circle, Woman’s Day, Continental, Fitness, and ShapeI’m also an ACE-certified personal trainer and Les Mills Body Pump instructor, so I “walk the walk” so to speak when it comes to writing about fitness and health. [Although I'm a former lawyer, I didn't mention this here--it's not relevant to him. nor do I mention my ghostwriting/coauthoring work, or the fact that I'm a motivational speaker, or that I own a small press. I don't want to detract from my identity that is most valuable to him--that of an experienced fitness/health writer.]

I’m an experienced researcher and easily translate complicated health and fitness topics into “plain English” for a variety of audiences. I’m also happy to come up with story ideas; working with clients as a personal trainer gives me access to an almost unlimited list of ideas and new angles to take even with evergreen subjects. [No, you typically don't suggest an idea with an LOI, but your willingness to do so will make your editor happy.]

What else should you know? I’m reliable, professional, and easy to work with, and strive to give my clients exactly what they want, on or before deadline. I’m happy to send clips, pitch story ideas, or tell you more about what I can offer. [Again, I'm keeping this short and sweet.]

Thank you so much for your time, and I hope to hear from you soon. 

Sincerely,

Kelly James-Enger

**Want to see more LOIs that worked? I include real-life samples in both Six-Figure Freelancing: The Writer's Guide to Making More Money, Second Editiona freelancing classic that helps both new and experienced writers boost their bottom line, and my latest book,Goodbye Byline, Hello Big Bucks: Make Money Ghostwriting Books, Articles, Blogs and More, Second Edition, which shows how to break into the ghostwriting/content marketing field. 

Saturday, June 21, 2014

Help a Fellow Freelancer



Blogathon, day 21. 

I've been talking about the blogathon with my kids, and letting them help me come up with ideas. This morning my soon-to-be-nine-year-old son said, "what about helping people whenever you can?" (That's him, almost seven years ago.) And that may be something that you don't always consider as a freelancer, but it's smart advice wherever you are in your career. After all, it's a close corollary to the golden rule, "treat others the way you want to be treated." 

Here's an example. Two days ago, I received an email from a reader of Writer for Hire. She said she loved the book (which is always nice to hear), but she had a question about looking for an agent, and wondered if I could help her. I responded with a section of Six-Figure Freelancing that talks specifically about agents and includes websites to help her locate potential ones. And yesterday, I referred two potential clients to Jodi Helmer, a talented writing coach and teacher I know. 

It doesn't take much to help other freelancers. Maybe it's liking their new business page. Or responding to questions about rates for one of your regular markets. Or writing a review of their new book. Or sharing a Facebook post where they're looking for sources. These little things don't take much time, but they make life better for all of us, and they make you feel good. According to karma, what goes around comes around, so why not put some good in the world? 

Your assignment: Find a way to help a fellow freelancer. 

**And now for my usual book plug: if you're a new freelancer, get up to speed fast with Dollars and Deadlines: Make Money Writing Articles for Print and Online Marketswhich is aimed at brand-new freelancers in search of their first clips. Six-Figure Freelancing: The Writer's Guide to Making More Money, Second Edition is a freelancing classic that helps both new and experienced writers boost their bottom line. And my latest book,Goodbye Byline, Hello Big Bucks: Make Money Ghostwriting Books, Articles, Blogs and More, Second Edition, shows how to break into the ghostwriting/content marketing field. 


Thursday, May 15, 2014

Chicago-Area Freelancers, Freelancing Panel on Wednesday, May 28th (and I'll be on the Panel)



Are you a freelancer in the Chicago area who wants to make more money--or are you considering becoming a freelance writer? Then you'll want to attend this panel sponsored by the Association for Women Journalists and ASJA. (I'll be there and will have copies of Six-Figure Freelancing: The Writer's Guide to Making More Money, Second Edition on hand--come and get your own signed copy!) 

"How to be a Freelancer and Still Pay the Rent: Tips from the Trenches on Expanding into New Markets" will include a panel discussion featuring freelancers (including me!) who will share their successes and setbacks, plus offer advice on how to break into a wide variety of writing markets beyond mainstream and trade journalism. I'm looking forward to participating and to hearing the other panelists' tips--I plan to come home with a slew of ideas and ideas I can immediately put to you, and think you'll be able to do so, too! 

Here are the details: 

Date: 
Wednesday May 28th, 6:30-8:30 pm

Location: 
Columbia College Chicago
33 E. Congress (Wabash/Congress)
2nd Floor 
Room 219 Auditorium 
Closest EL: Red Line, Harrison stop 
Parking Garages on Wabash, south of Congress

Registration:
$10 for AWJ members, Columbia College students & faculty
$15 for ASJA members
$25 for non-AWJ members.

Let me know if you plan to be there, and please spread the word to your freelancing buddies! Thanks and I hope to see you soon. 


Thursday, May 1, 2014

Freelance Writers' Roundtable Q and A Now on YouTube

This morning, I was a guest at the Freelance Writers' Roundtable, on the topic of six-figure freelancing. If you missed it, check it out here on YouTube. We talked about working more efficiently; what to say when you contact a source; ways to overcome interviewing fears; and why it's smart to create a writing specialty, among other things. Enjoy! 

Tuesday, April 29, 2014

Freelance Round Table Event on May 1 on Successful Freelancing

Weeks ago, I was asked to participate in a Freelance Round Table event on successful freelancing. Good thing I was reminded about it, as it's this Thursday, May 1st, at 9:00 a.m. EDT. Well, I now have it on my calendar and am looking forward to it! Find the details--and plan to join us--by visiting here

Please comment if you plan to join, and bring your questions! I'll be happy to answer them. 

Friday, April 25, 2014

More about the Business of Freelancing

Last post, I spoke with Debra Gordon, who's offering a value-packed webinar, The Business of Freelancing: Getting to Six Figures. The first 10 people who register will receive a free copy of my  book,Six-Figure Freelancing: The Writer's Guide to Making More Money, a $20 value!

Just use the code “BOOK” when you register for The Business of Freelancing: Getting to Six Figures

Imagine: Not only do you get 9 hours of coaching on how to grow your business, but you also get this fantastic book with thousands of tips from me. Let me know if you decide to take the class! 

Monday, April 21, 2014

Learn from a Master: Debra Gordon's New Freelancing Class

I'm a big believer in learning from the best, so I was intrigued by Debra Gordon's new class, The Business of Freelancing: Getting to Six Figures. I've known Debra for years and she's a smart, very successful freelancer who's now branching out into offering classes. I asked her to tell me more about the class: 

Q: As you know, I’ve written a book on the topic of this class, Six-Figure Freelancing, and I think the title captures readers’ attention. Why did you decide to name your class what you did? 

A: I've served on two panels with this name in the past 14 years and participated in numerous discussions on listserves. I think the phrase just resonates with small business people (as you know, since you used it for your book!). I also think that the idea of earning more than 100,000 a year on your own represents one of those goals that many of us have.

Q: I completely agree with that. So, why did you decide to offer the class? 

A: I've been speaking about the business aspects of freelancing at the American Medical Writer's Association (www.amwa.org) and American Society of Journalists and Authors (www.asja.org) for years now. Every time people come up to me and tell me how much they learned -- even those who have been in business for years--and often come up to me years after my talks to tell me how it helped them improve their business. 

I finally decided I had enough knowledge and content to pull it all together and reach a broader audience.

Q: Tell me a little bit about your freelance background. 

A: I have been freelancing for 14 years now, with 100 percent of my clients in the healthcare and medical fields. I write for a variety of audiences, including consumers/patients, physicians and other clinicians, and business-to-business. I have an English degree from the University of Virginia and a master's degree in biomedical writing from the University of the Sciences in Philadelphia. My specialties include most therapeutic areas, as well as writing, speaking, and training on healthcare reform and the healthcare system.

Q: Debra, what common misconceptions do you think freelancers have about being able to make a good living, including six figures (and more)? 

A: Relying on one or two clients; not treating the business like a business (ie, not saving money from every check for taxes and retirement); not taking marketing seriously; not being creative enough with their marketing; not planning ahead; getting caught in a rut and not continuing to grow themselves (and their businesses).

Seriously, though,  I think of this course as providing them with a good solid foundation upon which they can build their business -- as high as they want.

Q: So, what type of writer is the class aimed at? 

A: It's aimed at anyone who has their own small business, not just writers. I think graphic artists, web page designers, IT professionals, even Realtors could benefit from this course. Of course, I expect the majority will be writers. So . .any kind of writer, regardless of your experience and specialty. One caveat: I'm not going to talk about writing—but about how to build and run a writing business (if that's your business). 

Q: Anything else writers should consider before signing up for the class?


A: I will assign "homework," such as writing a business plan . .. but there's no grade! Also, I'll be setting up a private Linked In group for participants so we can continue the discussion . . .They can also get a discount off one-on-one coaching with me. The webinars will be recorded and available on demand as well as live.

**If you're serous about your freelance career, I highly suggest you consider this class as a worthwhile investment. It's one more way to help you take your career from so-so to stellar. 

Sunday, March 23, 2014

What Freelance Writers Made in 2013


If you read this blog regularly, you know that I talk about money a fair amount. As a freelancer, I think it's important to know not only what you're making, but what other freelancers are making. It's also also helpful to know what markets are paying--you can negotiate for more money for a publication that you know pays more than its offered rate, for example, and set rates for projects that are in line with what other writers are charging. 

So I'm happy to share the results of a freelance income survey conducted earlier this year by FreelanceSuccess.com, a resource for established, professional nonfiction writers. (I've been an off-and-on member of FreelanceSuccess--known as "FLX" to subscribers--for years, and often recommend it to new freelancers. It's an excellent of market info and a place to connect with smart, successful writers.)

FLX surveyed 100 of its members in early January, asking what they'd made in 2013. Of the full-time freelancers:    

  • 1.5 percent made less than $10,000
  • 9.1 percent made between $10,000 and $24,000
  • 10.6 percent made between $25,000 and $39,000
  • 36.4 percent made between $40,000 and $74,000
  • 28.8 percent made between $75,000 and more, including 
  • the 13.6 percent who made $125,000 or more.  
That's more than a quarter of writers making $75,000+, good news for those of us who aspire to make serious money as writers. 

Self-described "part-time" freelancers reported the following income: 

  • 22.9 percent made less than $10,000
  • 22.9 percent made between $10,000 and $24,000
  • 22.9 percent made between $25,000 and $39,000
  • 25.7 percent made between $40,000 and $74,000
  • 5.7 percent made more than $75,000. 
Not surprisingly, the part-time writers make significantly less than their full-time peers. But with more than 30 percent grossing more than $40,000, I still think you can work part-time hours and produce decent money. (I do!) 

Just as important, forty-eight percent--nearly half--of freelancers said they made more in 2013 than in 2012, while another 30 percent made about the same amount of money. 

And just what types of work were these freelancers doing to make money? The top eight answers included: 

  • 39.1 percent were doing corporate writing
  • 33.3 percent were doing marketing writing
  • 32.2 percent were writing for websites 
  • 26.4 percent were writing blogs 
  • 23.3 were ghostwriting
  • 19.5 percent were writing for consumer magazines
  • 18.4 percent were writing social media posts
  • 12.6 percent were writing for trade magazines
Thanks to Jennie Phipps of FLX for permission to share these figures. Regardless of what type of writing you do, however, there are simple ways that you can boost your productivity and make more money. Next post, we'll share some of them. 

** Don't forget, the luck of the Irish offer ends at midnight, Monday, March 24! Use the discount code SHAMROCK (all caps) for 25 percent off of the cover price of Six-Figure Freelancing: The Writer's Guide to Making More Money, Second Edition, and Dollars and Deadlines: Make Money Writing Articles for Print and Online Markets