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Showing posts with label advance. Show all posts
Showing posts with label advance. Show all posts

Monday, February 29, 2016

Secrets of Six-Figure Freelancers: 5 Essential Attributes

Today we're going to talk about one of my favorite subjects: money. My first year of fulltime freelancing more than 19 years ago!),  I made just over $17,000 and netted less than $12,000. My goal—my dream, really—was to be able to make $30,000 to $40,000 a year writing from home. By my sixth year of freelancing, though, I’d far surpassed my expectations and cracked the six-figure mark. Today I work part-time hours (my kids are now 10 and 6, and the latter is only in half-day kindergarten) and make between $30,000 and $60,000/year doing so. It’s challenging, but doable. 
So how do it I do it? I’m not a “best-selling” author, nor am I commanding enormous book advances. But I have mastered some necessary skills that other freelancers overlook. I can tell you freelancers who make big bucks (and I know lots of them!) have many things in common. As a whole, they’re confident, efficient, focused, friendly, and adaptable.
Sure, they’re good writers—in fact, most of them are great writers. But they’re even better at running their writing businesses, working more efficiently, and developing relationships with clients, sources, and fellow writers. You can be, too—whether you’re aiming to make six figures or simply get paid more for your writing, when you embrace these five strategies: 
Think Positive   
Let’s start with your mindset. A tagline for a poplar antiperspirant used to be “never let them see you sweat.” Successful writers take this motto to heart. Sure, they doubt their abilities sometimes. All writers do. But they don’t share those feelings with their clients—or let self-doubt prevent them from working.
A positive attitude can give you a leg up on other writers. Focus on what you can do—sending out queries, calling new potential clients, scouting for regular gigs—rather than on what you can’t control. No, confidence in your abilities won’t force an editor to give you an assignment or turn a $4,000 advance into a $40,000 one. But you can choose to be positive as you pursue your career. Setbacks are normal. It’s how writers cope with them that makes a difference.
Use Time-Saving Strategies
In addition to working on assignments, you must devote time for marketing, billing, and record-keeping tasks that can easily eat up hours better spent producing income. That’s why developing and maintaining a selection of writing templates, or forms, on your hard drive can be invaluable. 
For example, I have templates for different types of LOIs (letters of introduction); proposals/bids; invoices; contracts; follow-up letters; and even thank-you notes. This saves me time because I'm not recreating the wheel each time. I’m also a big believer in reusing research and writing about the same subjects more than once. The more ways you can approach a topic and write about it for different clients, the easier it is to make more money with less effort.
         Look for Repeat Business
Remember, it’s easier to get work from clients you already have than to get new clients. While the majority of my income these days comes from books, not articles, nearly all of my magazine work comes from editors who I’ve known for years. That means my marketing time is slashed. 
Example: a couple of of years ago, I pitched an editor with four ideas in one short, four-paragraph query. She bought them all. She knows me and knows my work, and that means it’s easy (and fast) to sell to her. Less time marketing=more time writing=more money. That’s the benefit of working as much as possible for clients you have—and maintaining positive relationships with them as well.
Climb Outside your Pigeonhole
I write primarily service-oriented books and articles about health, fitness, diet, wellness, and psychology. But that doesn't mean I have to. When a former client asked me if could write a television treatment for a new show she was developing, did I say, "What the hell is a treatment?" Nope. (Although I did wonder." I read a couple of books on treatment-writing, gathered background information, and wrote a script and treatment she was thrilled with. Now I've added another skill to my CV. 
Don’t let clients pigeonhole you. If you write articles for print and online markets, you can produce content marketing as well. Your background in a particular subject can also lead to lucrative corporate gigs if you look for those kinds of opportunities. While I believe in specializing, I also believe in keeping fluid—and that’s where my last point comes in.
Adapt to the (Ever-Changing) Market
The publishing world of today is much different than that of the one I entered 19+ years ago. Hell, it's different than what it was two years ago. Magazines are folding. Publishers expect you to give up more rights for the same (or less!) money. Fewer magazines are using contributing editors. But, there are many more opportunities (think content marketing, social media writing and management, ghosting Tweets) for freelancers that didn't even exist a decade before. That means as a self-employed writer, you have to adapt, to improvise, to overcome. (Thank you, Clint Eastwood/Heartbreak Ridge, for the quote.)
Hey, I don't like change. I'd still rather use Word than Google docs, though everyone else seems to prefer the latter. I still suck at Twitter although I have loads of Facebook friends. I'm nostalgic for the days when three contributing editor gigs made up $70K worth of work for me--every year. But that was then, and to survive--and thrive--in this business, I have to be willing to adapt, and change, and yes, overcome. Embrace the same attitude and you'll set yourself up for success. 
**Do you agree with the attributes I listed in this post? Why or why not? Let me know with a comment. 
If you want are serious about making money as a writer, I suggest my freelance classic, Six-Figure Freelancing: The Writer's Guide to Making More Money, Second EditionIf you're more interested in getting into ghostwriting and content marketing, I suggest Goodbye Byline, Hello Big Bucks: Make Money Ghostwriting Books, Articles, Blogs and More, Second EditionIf you're brand-new to freelancing, Dollars and Deadlines: Make Money Writing Articles for Print and Online Markets walks you through the process of launching your freelance career

Friday, March 15, 2013

More Honest Talk about Royalties--and the Truth Hurts

I found out earlier this week that my book from last year, Writer for Hire: 101 Secrets to Freelance Success, won ASJA's 2013 Outstanding Book Award in the service/self-help category. What made it especially gratifying is that I've been a judge for the awards before, and the competition is fierce! So I have an extra reason (besides my Irish ancestors) to celebrate St. Patrick's Day this weekend. 

Coincidentally, I just received my latest royalty statement from Writer for Hire. And as a freelancer and author who believes in full disclosure, I'm sharing it here.

However, I have to say the news is pretty disappointing. During the first royalty period, I sold a total of 1,975 copies, including 92 e-books. I made about $0.83/book for the print edition and about $2.37/book for the Kindle edition, for a total of $1,776.43 in royalties. Close to 2,000 copies in the first few months isn't bad for a book like Writer for Hire, and I've been actively promoting the title since then. I expected to sell at least that many copies in the last six months of 2012. 

Well, that's not what happened. Between July 1 and December 31, I sold a total of 652 copies, including 105 e-books. That's not even a third of what I sold in the first royalty period, and it brings my total number of copies sold 2,627 for a book that was released in April, 2012. So far I've produced $2,601.79 in royalties, which still isn't enough to offset my advance--meaning I haven't earned out yet, so I'm not seeing royalty checks yet. 

I wish I had better news to share. I've been promoting the book steadily, but the fact is that no amount of promotion as an author can guarantee that your books will sell, or sell well. I'll continue to market Writer for Hire (and my latest two books, Dollars and Deadlines: Make Money Writing Articles for Print and Online Markets, and Six-Figure Freelancing: The Writer's Guide to Making More Money, Second Edition), because that's what authors do. But sometimes sales figures are downright depressing. 

**Coming next week, an excerpt from Dollars and Deadlines: Make Money Writing Articles for Print and Online Markets, and another giveaway. And if you're a fan of Six-Figure Freelancing, stay tuned--the print version will be published later this month! 

Monday, October 15, 2012

Giveaway Winner--And A Look at My Latest Royalty Statement

First, congrats to Cindy, the winner of my latest giveaway. She wins a signed copy of Writer For Hire, which I'll be mailing to her this week. Thanks to all who entered!

If you're a regular reader of my blog, you know I'm big on talking money. I've posted before about going rates for freelance work; real POD sales figures; and even shared my royalty statements. And I conduct an annual freelance income survey. I believe that information is power for both freelancers and book authors. 

I recently received my royalty statement for the first six months of the year for Writer for Hire: 101 Secrets to Freelance Success. (Typically traditional publishers send royalty statements twice a year, from two to six months after the end of the royalty reporting period.) The royalty statement tells you how many books you've sold during that time period and how much you've made in royalties, If you've made more than your advance (what's called "earning out"), you receive a check along with your statement.

I wasn't sure what to expect with sales for Writer for Hire. I knew that with Six-Figure Freelancing, I sold about 4,600 copies during the first royalty period--not bad at all. Because I had such an advance of $15,000, though, I have yet to earn out on Six-Figure. Maybe someday. But I did a lot of promotion to launch Writer for Hire, and continue to market it. That's part of my work as an author. 

So, how'd I do? My sales figures weren't as high as I would have liked, but they're not terrible, either. In the first six months of the year, I sold a total of 1,975 copies of Writer for Hire, including 92 e-books. I make about $0.83/print book and $2.37/e-book, so I've made $1776.43 in royalties. However, that's not enough to offset my advance for the book. If sales stay steady--or hopefully pick up--I estimate it will take another year or so to actually see a royalty check. 

Keep in mind that a "midlist" author may sell between 10,000 to 20,000 copies of a book over its lifetime, so nearly 2,000 sales isn't a bad start. What matters is what happens during the next few royalty statements. So stay tuned!