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Showing posts with label memoir. Show all posts
Showing posts with label memoir. Show all posts

Monday, December 16, 2013

The Power of the Template



I've been writing this blog for more than four years now, and its stats tell me what topics and which posts garner the most hits. Out of the top 10 posts of all time, four out of ten are templates, or samples. One is a critiqued pitch for a memoir; one is a letter of introduction, or LOI; another is a query; and the last is a query which I critiqued for a reader

Why are these posts so popular? Because they give readers a guide to follow. It's much easier (and faster) to follow someone else's model than to create your own query or letter of introduction from scratch. It's more effective, too. Successful freelancers have developed their own templates that they then customize, depending on the market or type of work they're pitching. 

I have several that I use: 

The more types of work you do, the more templates you should have on your own hard drive. Remember, though, that the template is only the starting point. It's how you customize it for the market you're pursuing that is likely to help you get the gig. 

**I know how important templates and examples are, which is why I include everything from queries to invoices to contracts to "pay-or-die" letters in my books for freelancers like Six-Figure Freelancing, Second Edition

And my latest book, Goodbye Byline, Hello Big Bucks: Make Money Ghostwriting Books, Articles, Blogs, and More, Second Edition (Kindle), includes templates of LOIs that content marketing writers and ghostwriters use, along with sample contracts, nondisclosure agreements, and bids. Don't have a Kindle? Download it here.
 

Sunday, August 4, 2013

Power up your Pitches: 13 Fully-Critiqued Queries to Help your Freelance Success

You cannot overstate the importance of the query letter, especially when you're a new freelancer. As you gain experience, you may not have to query as frequently. You may connect with editors through social media, meet them at conferences or other events, or be introduced through another editor or fellow freelancer. Once you've got some clips and clients, you're more of a "known entity" and have a reputation (hopefully a good one) that precedes you.  

But when you're starting off, all you have is about four paragraphs to make an impression, positive or not. The first query you send may not only be your first impression; it may be the only chance you have to catch the attention of an editor or agent. 

Whether you're pitching an article idea to an editor, looking for an agent for your novel, or have a memoir or nonfiction book to sell, you must write a compelling query. That's one reason I put so much emphasis on them when I teach article writing and freelancing workshops, and why I offer query critiques (including the super awesome bonus) occasionally here on the blog. 

Looking at other writers' queries can be instructive as well--you can see what works, what doesn't, and get an idea of approaches that may work for you. Here are a few fully-critiqued article pitches that will help you write better ones:  
Have a book to pitch instead? Then take a look at these: 
I hope you find them helpful! Please share this post with other writers! 

**Are you serious about making money as a freelancer? To learn more about how to set yourself apart from other writers, nab more assignments, and create long-lasting relationships with editors and clients, read my latest two books, Dollars and Deadlines: Make Money Writing Articles for Print and Online Markets or Six-Figure Freelancing: The Writer's Guide to Making More Money, Second EditionFor a limited time, you'll get half off both titles when you order directly through ImprovisePress.com and use the discount code CHICKENS.

Want an even better bargain? My series of short-but-loaded-with-info ebooks is priced at $0.99 for a limited time

Wednesday, July 21, 2010

Query Critique #4: Memoir Pitch for an Agent

Hi, readers! It's day four of Query Critique Week, and I hope you're finding it helpful. Today's query is from a writer looking for an agent for her memoir. As usual, my comments are in blue.

Dear Ms. Alspaugh,

I read about you in Writer’s Digest, and then wandered through a delightful interview with you on Novelists, Inc Blog by BlogMistress. I liked how you identified as an agent that would be approachable to your clients and that you were looking for writers “who love to write and who can’t not write. Writers who look forward to the promotion process and who have lots of great ideas about how to promote themselves and their work, writers who think about not just writing books, but articles, short stories, blogs, and more.” [I like that the writer has shown that she's done some research on the agent, but it's not necessary to quote so much from the interview. I'd prefer she include a line about books similar to hers (i.e. memoirs) that the agent has repped; this shows an additional level of research, and that the agent is more likely to be interested in this particular book. Personally, I don't like the word "wandered" in the first sentence, either, but that's just me.]

I’d enjoy working with you on my memoir, Grief Shadows: Young, Pregnant and Widowed. [Unnecessary...I'd strike this line.]

Three state troopers came to my front door at five o’clock in the morning and told me my husband was dead. He had fallen asleep driving on his way back to the National Guard base on Cape Cod.

I had just seen him four hours before. Smelled him. Kissed him. And told him we were pregnant. And now, all at once, I was a widow.

I was twenty-six years old. [Great opening, great lead. I'm intrigued.]

But how could I be a widow? Widows were old, with white hair and sensible shoes that cushioned their bunions and who waited for people to visit them in assisted living homes. Or maybe they were fifty-five and had lost a spouse to cancer. Someone with grown children. Not pregnant, like I was. Not with a toddler who’d never heard the word death. [Nice writing, and already we're getting a feel for her voice.]

Grief Shadows: Young, Pregnant and Widowed is more than a legacy of memories; it’s a way to reach out and connect to other grieving souls – to let them know they aren’t alone. Though Grief Shadows isn’t a “how-to” book, as a memoir it is a great practical guide for working through one’s grief. It shows those faced with grief what to expect, what is normal in the grief process – which is everything – and how to emerge from the darkness, stronger, wiser, and more whole. [Because I suggested we cut the line about the book being a memoir, I'd refer to it as a memoir here. I like that she's pointing out that it's more than just a memoir, but that may throw some agents. If she's pitching a book that's a blend, she should include some well-known memoirs that have taken a similar approach so the agent will have an idea of what she means. Reading through this paragraph a second time, I think the writer may be overstating her book's promise--I'm not sure it can deliver as a practical guide for working through grief. Typically what makes a great memoir is a great story and great writing...we don't expect a "how-to" takeaway. The writer may want to think about this more.]

I now live in Eugene, OR with my husband and two children. I’m a writer, an urban-homesteader, a book glutton and a dabbler in theater. In recent times I’ve been a massage therapist, a grief counselor, a home-schooler, and a potter. I’ve been published in my local city newspaper, write in two blogs, do monthly readings at a local theater group, and utilize social networking and marketing. [The writer has an interesting life, but the agent isn't likely to care. What she is likely to care about is her platform--how often does she blog? How many followers does she have? Has she been active in grief support groups? Does she speak to groups? Has she been interviewed, and when and were? How *exactly* does she utilize social media and marketing? Any agent is going to want to know how her client is going to SELL the book once it comes out because the publisher will want to know the same thing. She needs to pump up this paragraph...playing up her connections both online and IRL (in real life).]

Thank you for your time, Ms. Alspaugh. I certainly appreciate it and would be happy to send you my completed proposal. I’d enjoy any comments you have for me. [Typically with a memoir, as with fiction, you'll send the completed manuscript because the writing is what sells it. Unless this agent wants a proposal for a memoir, I'd ask if she's interested in seeing the first couple of chapters or the entire ms. And if it's the entire ms, she should mention the word count of the book. I also want to know what time span it covers--she's remarried now, so is this is the first year after her husband's death? The first five years? I feel like I don't know enough about what the book is about to decide whether I want to read it...more detail about the book would be helpful in this query.]

Respectfully yours,



Readers, what do you think? Do you agree? Disagree?