Monday, March 28, 2011
Feedback from Giveaway Winners--and News for Those Who Didn't Win
Janine has a book coming out next year and we spent our hour talking about her marketing/promotion plan and brainstorming ways to sell the book when it comes out. She said:
"My giveaway session with Kelly yielded pages of ideas, both for boosting my list of viable markets and for promoting my book once it's in my hands. She's a font of ideas, and served up a generous dose of encouragement. Just one hour went a long way to helping me along my path."
Last year's giveaway winner, Jan, worked as a writer before lauching a service business with her husband. Now the couple is planning to move cross-country and she wants to launch a specialized freelance business in her new town. We talked about ways to get started, find new clients, and how to set herself apart from other freelancers based on her specific background. Here's what she said afterwards:
"Whether you're a seasoned freelancer or just starting out, I highly recommend a coaching session with Kelly. I'm in the planning stages of launching my own writing business, and Kelly worked with me to fine-tune my marketing strategy and offered advice on transitioning from employee to business owner. She encouraged me to consider areas of opportunities I may have otherwise overlooked. Kelly is generous with sharing her knowledge of the industry and her personal experiences, and is very accessible. As my business takes off, I look forward to working with her again."
Sometimes freelancers need advice about taking their careers to the next level; sometimes they need encouragement; and sometimes they just need a coach to help them stay accountable and reach their goals. If you're looking for this kind of personalized consulting, contact me through email (kelly at becomebodywise.com).
We can work by phone, email, or a combination of both--that's up to you. My consulting rate is $100/hour and many of my consulting clients find they only need an hour or two's worth of one-on-one consulting to jump-start their freelance careers. If this sounds like you, get in touch!
Sunday, March 27, 2011
10 Smart Rules of Thumb for Freelancers
In last week's post on how to write better service articles, I mentioned one of my rules of thumb--on how many sources I typically interview for a nonfiction article. (Mine is one or two sources for stories of up to about 500 words; two to three for stories of 500 to 1,000 words; and three to five for 1,500-word stories. While some stories require more sources, I don't want to waste time over-researching a story by interviewing sources who won't make it into the piece.
But I've developed plenty of other rules of thumb over 14+ years of freelancing as well, including:
Reaching word count. My rule of thumb for word count is 10%. That means I'll turn a story in at up to 10% over word count without worrying about it. (Sure, I shoot for as close to word count as possible, and I never turn in story under word count, but that 10% bumper means I don’t fret if a story is running a little long. (And yes, every word counts toward the total, but I don't count headers for sidebars and boxes.)
Writing queries. My query rule of thumb? Every query letter has four parts:
*The lead, which catches the editor's attention;
*The "why-write-it" paragraph which makes the case for the story;
*The "nuts and bolts" paragraph, where I explain how I plan to approach the story, describe what type of sources I'll interview, how long the story will be, and where I think the story belongs in the magazine; and
*The ISG, or I'm-so-great paragraph where I highlight any relevant background/experience or expertise I have in the subject area.
Contacting sources before a pitch. My rule of thumb, also known as the McCaughey Septuplets Rule, is that I contact sources before I pitch a piece if the story turns on their involvement. In other words, if I can't write the piece without their input, I make sure ahead of time that they're willing to be interviewed.
Following up. My rule of thumb is to follow up on queries and LOIs to new-to-me markets in about four weeks; I follow up on queries to my regular markets in two to three weeks.
Pitching new queries. I've already told you the best time to pitch a client. That's why another of my rules of thumb is to always have an "idea in my pocket" ready for when an editor accepts a piece.
Touching base. I focus on building long-term relationships with clients, and one of the ways I do so is by staying on the radar. My rule of thumb is to touch base every two or three months to "check in" or pitch new work.
Putting things in writing. I recently had an email from a fellow freelancer asking me about a publisher I'd worked with. I'd had a less-than-happy relationship with this particular publisher, and wrote her back and told her I'd be happy to talk with her by phone about my experience. My rule of thumb here is to never put something negative in writing--you never know who may end up reading it.
Leaving the house. I try not to, unless I have to. My rule of thumb here? I won't meet with a potential ghostwriting client in person until I know what his or her budget is; otherwise, there's a good chance I'll waste my time.
Calculating my daily nut. Regardless of my annual income goal and how many hours I work, I always have a daily nut, or an amount I have to average to make what I want that each. My rule of thumb is to take my overall income, and divide it by 240 (48 weeks of work, with four weeks off for vacation and "holidays.").
***Readers, what about you? Do you have your own rules of thumb that you find helpful? Feel free to share them here!
And finally, I'm talking to a potential client tomorrow but in the meantime, am still looking for new ghosting clients. Please keep me in mind if you know of someone looking for a talented, experienced ghostwriter/collaborator (especially in the health, fitness, wellness and nutrition fields)--and thank you to Susan for passing my name along to a potential client! If you want to get started in this lucrative field, you'll want to buy Goodbye Byline, Hello Big Bucks: The Writer's Guide to Making Money Ghostwriting and Coauthoring Books (Kindle edition).Thursday, March 24, 2011
Six Common Writing Mistakes--and How to Fix Them
Check it out to learn what to do (and what not to do) when you screw up. :)
Wednesday, March 23, 2011
Upcoming Speaking Gigs for April and May, 2011
And if you want to see me live and person, I'll be speaking at a variety of events in the next two months:
- The Annual Writers Institute at University of Wisconsin/Madison, on April 8-10, 2011. Held in one of my favorite cities (and my birthplace!), this is a great weekend for writers of all stripes. I'll be presenting three different sessions, covering topics including Six-Figure Freelancing to query-writing to today's book publishing options.
- "Breaking in: The Basics of Writing for Magazines" at 7 p.m. on Tuesday, April 12, 2011 at the Niles Public Library in Niles, Illinois. [Here's the program description: Have you dreamed of writing for magazines? Want to see your byline in your favorite publication? While basic writing skills are essential, the keys to successful magazine freelancing are selecting and analyzing potential markets, developing winning article ideas and crafting attention-getting query letters. This program will introduce you to some common magazine terminology and cover basics like how to find markets, come up with story ideas, and nail your first magazine assignments. Presented by Kelly James-Enger, author of twelvebooks including Six-Figure Freelancing: The Writer's Guide to Making More Money (Random House, 2005) and 800+ articles for more than 50 national magazine articles.]
- "Breaking In: The Basics of Writing for Magazines" at 1 p.m. on Saturday, April 16, 2011, at the Ela Area Public Library in Lake Zurich, Illinois.
- The OWFI Writers Conference in Oklahoma City from May 5-7, 2011. I attended this conference last year, and am returning to present programs on topics including freelancing for magazines, getting started in ghostwriting, and legal and business issues for freelancers.
I'll also be in NYC for the 40th Annual ASJA Writers Conference at the end of April. I'm a member of ASJA and this event is arguably the best conference for serious freelancers. It's led to literally tens of thousands of dollars of work for me, valuable connections, and awesome friends as well! Check it out and see if it's worthwhile for you to attend.
Seven Ways to Write Better--and Better-Selling--Service Articles
At first glance, service articles are relatively straightforward to research and write, but they also contain a minefield of potential pitfalls for would-be service writers. Here are seven common mistakes to avoid when writing service pieces:
Mistake #1: Insufficient Background
A common mistake writing service pieces is assuming too much—namely, that the reader of the piece knows as much about the subject as you do. For example, I cover nutrition so I know what fiber is, how it works in the body, and why it’s important. But a typical reader may have no clue what about it. Here’s how I highlighted the difference between the two types of fiber in a fitness magazine article:
The two types react differently in water—soluble fiber dissolves, becoming gummy, while insoluble fiber holds water. “Soluble fiber acts more like a sponge,” says Jackson. “It helps suck cholesterol out and lower bad cholesterol levels.” Insoluble fiber acts more like a broom than a sponge, essentially sweeping out your intestines and keeping the area clean, adds Jackson. “They both play different roles but they’re equally important in promoting general health,” she says.
See how I've given readers a mental picture of what the two types of fiber do? Simple yet essential.
Mistake #2: Boring Quotes
Unless you’re the only source for a story, you’ll rely on interviews for the piece. Whether you’re quoting an expert or a “real person,” make sure the quotes you use “pop.” For example, an interview transcript with a registered dietitian for a story about how stress impacts your waistline included the following:
“Eating when you’re not hungry makes people feel bad afterwards.”
“No one feels empowered when they’re on their third row of Oreos.”
The quotes mean the same basic thing, but I used the latter—the language is stronger, more specific, and more arresting. Choose direct quotes that are compelling and strong; otherwise, take the information out of direct quotes and attribute to the source.
Mistake #3: Too Few Sources—or Too Many
Speaking of sources, the number you use will depend primarily on the length of your story. My rule of thumb is one or two sources for stories of up to about 500 words; two to three for stories of up to 1000 words; and three to five for 1500-word stories. Your mileage may vary but I don't want to over-research or under-research a piece.
Mistake #4: Returning to the Well Too Often
If you write about a particular subject area, you probably already have your “favorite” expert sources who can be counted on to give you great information. But falling into a habit of always hitting up the same sources can hurt the quality of your work.
Make sure you include new experts and check what's happening on the topic, even if it's one you cover frequently. And if you write about ever-changing topics like technology or health, this is critical for accuracy.
Mistake #5: No “Real People”
Yes, experts can explain why something is the way it is. But for color, and more memorable articles, include “real people” sources as well.
For example, in a piece I did on the benefits of eating breakfast, I reported on recent research on how eating breakfast improves memory and cognition—and boosts mood and energy. I included quotes from registered dietitians explaining why breakfast is so important. But I also included quotes from people who had found that eating breakfast helped them lose weight and have more energy. ”
These “real people” anecdotes liven up a service piece and provide readers with real-life examples that they can relate to as well.
Mistake #6: Insufficent Service
Service articles are about service, right? But it’s easy to forget this when you’re working on a story—or gloss over what readers need to know. For example, in a piece on toddler tooth traumas, I explained why parents should brush their children’s teeth regularly. But how do you actually do this? I included specific tips like “hold your child’s head steady,” “choose a child’s brush with extra-soft bristles,” and “brush along the gumline, not just the teeth themselves” so that parents would be able to put the advice from the article into practice.
When it comes to service, you want to be specific—writing generalities usually get the story kicked back to you by the editor.
Mistake #7: Skimping on Sidebars
Finally, sidebars are often a great addition to a service piece. For example, when I wrote a piece for The Writer on the effectiveness of letters of introduction, or LOIs, my sidebar included two examples of LOIs that readers could use as models. My above-mentioned piece on the health benefits of fiber included a sidebar listing foods with high-fiber content, their serving size, and the total grams of fiber in each.
While magazines may be shrinking in size, service articles will never go out of style. Readers are always looking for advice about how to improve their lives, which makes this writing genre a lucrative one. Make your service articles focused, interesting, and helpful, and you’ll have your editors coming back for more.
***
Coming soon...another query critique series, so get your queries ready! I'll also be offering my ghostwriting e-class again in April; dates TBA.
Finally, I'm still between ghostwriting projects. If you know of someone who's looking for a ghostwriter, coauthor, or editor for a book-length project in the health, fitness, wellness, psychology, or nutrition field, I'd appreciate a recommendation!
Sunday, March 20, 2011
5 Ways to Avoid Getting Stiffed
Unfortunately just about every freelancer faces this scenario at some point. As the economy has tanked, your chance of experiencing "slow-pay" (or worse, "no-pay") clients has increased. However, there are five steps you can take to help ensure that you’re paid, (hopefully) promptly, for your work.
Step 1: Choose Your Clients Carefully
When can you expect to be paid? That depends on a variety of factors. In general, national magazines pay within about four to six weeks of accepting a story; I’ve found that trade and regional magazines, which have fewer levels of bureaucracy, pay more quickly. Business clients generally pay within two to four weeks of receiving an invoice.
If you're contacted by a client that isn't a "name," consider too how long the client has been in business and what its reputation is before you accept an assignment. Some clients are notoriously hard to collect from. New publications or websites (a/k/a "start-ups") may lack financing. Markets that advertise for writers with promises of "exposure" or websites that pay per-click aren’t good bets. In other cases, you may hear from other sources that the client isn’t paying writers.
If you’re writing for a publication that you’ve never heard of, a quick internet search may alert you to payment problems down the road. The American Society of Journalists and Authors maintains a “warning list” of publishers for members, and WritersWeekly.com also maintains a Whispers and Warnings forum anyone can access.
Step 2: Obtain a Written Agreement for Your Work
A written contract is your best defense to payment problems down the road. Most big magazines have a written contract they’ll ask you to sign, but you needn’t have an "official" one to have an enforceable agreement. Technically even an oral agreement is enforceable, but an email exchange between you and your editor that sets out the terms—the story topic, word length, payment, rights purchased, and deadline—is better evidence should payment push come to shove. Writing your own is simpler than you might imagine. Here’s an example:
DATE
EDITOR’S NAME, TITLE, CONTACT INFO
Dear Mark:
I’m writing to confirm the terms of our agreement as discussed by phone today. Per your assignment, I will write 1,000 words on the benefits of procrastination for MAGAZINE TITLE, for $1,500. The story is due April 1, 2010, and you are purchasing first North American serial rights to the piece. Please reply by email to confirm these terms, and thank you for thinking of me. I’m looking forward to working with you.
Sincerely,
Kelly James-Enger
[Contact info]
If you don’t have a written contract, it’s legally presumed that you’re selling one-time rights to the story, but that may or may not be your editor’s understanding. And without something in writing, how will you assert your rights? What if your editor assigns the story and then leaves the publication a few weeks later? How will you collect if you have nothing from her confirming your agreement? Get in writing, no matter what.
Step 3: Maintain Accurate Records
The next step to getting paid is knowing when you expect payment. Note when you turn work in and when it's accepted. If you're working with a new market, ask whether you need to provide an invoice to your editor or client. (Your invoice should include your name, address, phone, email, invoice amount, an explanation of the work purchased and rights, if applicable, social security number or tax ID number, and an invoice number for easy tracking.)
Step 4: Track your Invoices
If a few weeks elapse after your work is accepted and you haven’t been paid, follow up with your editor via email or phone. Ask when you can expect your check. If you still don’t receive a check, contact the magazine or company’s Accounts Payable department directly. Be prepared to email or fax a copy of your invoice, and record who you spoke to and when. Often, contacting AP will result in payment, but you may have to pester the department repeatedly until you get your money.
With one magazine, I called the AP person every Monday for seven weeks until I finally received my check. Was she sick of my calls? Sure. But I wasn’t going to give up until I get paid...and I did, eventually. (And no, I never wrote for that publication again.)
Step 5: Send your Pay-or-Die Letter
Last resort? Send your pay-or-die letter. And if that still doesn't work, you have several other options. A sternly worded letter from an attorney may trigger payment (you needn’t disclose that the lawyer is your brother-in-law or cousin), or you can consider hiring a collection agency which will pursue payment for a percentage of the amount owed. You may also consider filing in small claims court, although you have to file in a county and state where the publisher or company is located and/or does business.
Bottom line? You deserve to get paid--and paid fairly--for your work. Don't be afraid to pursue the money that's owed to you--or to say "no" to clients who you suspect may not be able to willing or able to pay you before you work for them.
***
P.S. When I ghostwrite for or collaborate with a client, I always get a retainer up front, and set up a payment schedule so I'm paid for work performed throughout the project. For more on ghostwriting, check out Goodbye Byline, Hello Big Bucks: The Writer's Guide to Making Money Ghostwriting and Coauthoring Books (Kindle edition).
Wednesday, March 16, 2011
Five Simple Ways to Find Ghostwriting Clients
Here are five simple ways to reach potential clients:
- Use the web. Your website, your blog, and your email signature should all mention your ghostwriting work. You may also want to have a dedicated page for clients looking for a ghost telling them more about what you do and what to expect.
- Check craigslist. Yup, much of the posts there are dreck, but I've found clients through the popular site. Journalismjobs.com and FreelanceDaily.net are two other sites to check for work.
- Tell your sources. Reach out to your contacts. I specialize in health, fitness, and nutrition subjects. Whenever I interview an expert source for a magazine article, I let the person know I'm a ghostwriter as well. .
- Send out LOIs. I've contacted book packagers, literary agents, and book editors with a brief letter of introduction, asking that they keep me in mind for projects.
- Educate current clients. I do a mix of article and book work, and make sure that my magazine editors know I ghostwrite as well. This keeps people from pigeonholing me as "only" an article writer.
For more on this lucrative writing niche, check out my book, Goodbye Byline, Hello Big Bucks: The Writer's Guide to Making Money Ghostwriting and Coauthoring Books (Kindle edition).