So, what’s The Writer’s Workout all about?
The Writer’s
Workout
contains 366 ideas—one idea per day—intended to encourage writers into
prosperous action. It reviews critical skills for every writer such as
improving craft, learning to sell work, how and when to specialize, ways to
keep learning and growing, self-promotion from the basics through advanced
topics, and how to balance traditional publication with self-publication.
What makes The
Writer’s Workout different from your first two books?
Like all my
books, The Writer’s Workout is a mashup of various types of writing
instruction. However this book contains a distillation of my experience, my
students’ collective experiences over the past decade, and the universal
experience of being a writer across the ages in the form of what I hope are 366
timeless quotes. This is my third book and it differs from my first two books
quite a bit in focus, objective, and format.
How is The Writer’s
Workout different from other writing books already out there?
One thing that
makes The Writer’s Workout unique is that the rise and fall of the
how-to curve is set against the backdrop of the seasons of the year. The
seasonal backdrop helped me deliver advice for writers on four levels:
beginner, intermediate, seasoned pro, and veteran—each paralleling a season:
spring, summer, fall, or winter. The result, I hope, is one idea every day that
will help writers find and maintain literary momentum all year long in these
highly distracted times.
Some people
say these are tough times for writers. Others say there are opportunities
around every corner. What do you say?
I say we are living in a gig economy, where professionals
are stringing freelance jobs together into creative careers. We’re all doing
the best we can, finding and maintaining our momentum. Not only can The Writer’s Workout assist folks
who are just getting started supplementing their income with writing, it can
help people who have already been writing professionally recognize that there
are more opportunities to build income streams writing than any of us have
realized. And then it’s just a matter of choosing the goals that will best suit
your goals.
How
did you come to write The Writer’s
Workout?
Prior
to landing the deal for this book, I was offered the opportunity to write a
different book about how to be an organized writer—a topic that, unfortunately,
did not feel like a good fit for the way I work.
I
recommended a former student for the job and started asking myself, if not that
book, then what book did I want to write? Jane Friedman, then publisher at
Writer’s Digest, and I sat down in an airport restaurant after the Writer’s
Digest conference in January 2010, and brainstormed the idea that evolved into The
Writer’s Workout. Basically, I wanted to encapsulate everything that
I’d learned from working closely with writers over ten years. Two years and
many thousands of words later, here it is.
I
understand your book is almost 400-pages long, yet you offer classes on writing
“short stuff” and “micro-publishing.” How do you reconcile this apparent double
standard?
You
have to look at it this way: the book is 366 short pieces collected and placed
in an order that creates a longer movement. That’s exactly how I was taught to
write fiction in graduate school. This write short before you write long
school-of-thought is also how I teach writers to draft and polish publishable
work. We start short and then extend the jumps until, next thing you know, the
writer is writing long pieces like features, e-books and even books. How? By
pulling together shorter pieces to create longer pieces.
You have been called a “gentle taskmaster” by your students.
What does this mean and why would writers need this kind of help?
A coach is a
person who trains others to perform better. Every writer needs a kick in the
pants now and then. This book has plenty of boots in the caboose and also
acknowledges the challenging times we’re living in. Reading this book is like
having a personal coach for your writing career, who holds you accountable to your
potential, every day of the year. Get this book if you would like to have your
own personal coach without the massive expense of paying for one. You’ll be
your own best writing coach by the time the book is done.
Our
workdays are constantly disrupted these days. What do you say to the writer who
has trouble focusing and following through?
I never hear students in my training
groups complaining about dramas or distractions in their lives. If something
upsets their focus, it’s a major life disturbance like a trip to the emergency
room, a spouse’s job loss, or a death in the family. That’s life calling, not a
distraction.
Our attention can be hijacked by one
hundred and one meaningless distractions per minute. I say turn up the focus and
the distractions will fall away. Drama and distraction are not necessary for
self-expression but they sure can impede it. I say keep the drama on the page.
You can get hooked on making grounded creative progress just as you can get
hooked on chasing every distraction and fanning the flames of every potential
drama.
Any
final comments you would like to make in closing?
At the end of the day, it does not matter if you are self-published or
traditionally published, blogging or not blogging, a book-sniffer or a digital
diva, a social media maven or a social media deer-in-the-headlights—what
matters is that you cultivate the creativity that wants to be expressed. That’s
your job. Go do it!
***Thanks to Christina for her info-packed, practical book. If you've read it, please comment and me know what you think of it!
I own your books and found them very helpful. Looking forward to this one too! :)
ReplyDeleteThanks, Amber. Appreciate your support!
DeleteGreat interview, Kelly. I've been a student of Christina's and read all her books (including this one). Her guidance and advice have been invaluable in directing my freelancing journey and I foresee coming back for more.
ReplyDeleteThanks, Carol. You rule! :)
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